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TABLE OF CONTENTS

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INTRODUCTION
TO
VIETNAMESE MUSIC
by Nguyễn Vĩnh Bảo
Page 1 2 3 4 5 6 7 8 9 10 11 12 13
Except
for peculiar cases, instruments are tuned as desired. The
idea of absolute pitch is not taken into considerations, a
fact that gives a certain impression of false notes to Westerner’s
ears which are accustomed to the absolute pitch of the tempered
scale notes.
- SCALES
USED FOR PLAYING SAD MELODIES EG.
- The
Vong co (longing for the past), Ly con sao (Lament of
the Blackbird) …..
HÒ
XU(y) XANG XÊ
CÔNG
L U#
S
X
C
Do mi
fa
sol si
C E
F
G
B
-
Nam xuân (serenity), Ðao ngu cung (solemnity)
HÒ
XU XANG XÊ
CÔNG (oan)
L U
S
X C#
Do ré
fa sol
si
C D
F
G B
- Nam
ai and Oan Mode (profound sadness)
HO
XU (y) XANG XE
CONG (oan)
L U#
S
X C#
Do mi
fa
sol si
C E
F
G B
As
said, remember that the pitch of the Vietnamese Mi (E) and
Si (B) corresponds approximately to that of the Western
Mi (E) and Si (B).
As a matter of taste, if the Vietnamese HÒ (L) of
the scale takes the pitch of Ré (D), the dan Tranh
(Zither) must be tuned as follows:
- BA('C MODE- happy melodies
HÒ XU XANG XÊ CÔNG
L U
S X
C
Ré mi sol
la si
D E
G A
B
- VONG CÔ, LÝ CON SÁO
HÒ XU (y) XANG
XÊ CÔNG
L U#
S
X C
Ré Fa#
sol
la si
D F#
G
A B
- NAM XUÂN, ÐAO NGU CUNG
HÒ XU XANG
XÊ CÔNG (oan)
L U
S
X C#
Ré mi
sol la
do
D E
G
A C
- NAM AI and OÁN mode
HÒ XU (y)
XANG XÊ
CÔNG (oan)
L
U#
S
X C#
Ré Fa#
sol
la do
D
F#
G
A C
- NORTHERN SA MAC SCALE
HÒ XU(y) (-) XANG XÊ CÔNG (oan)
(-)
L U# (-) S X C# (-)
Ré fa
sol
la do
D F G A C
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